Pvt. Albert E. Sholes, Co. B, 1st Rhode Island Infantry, On the Campaign

27 03 2023

Personal Reminiscences of Bull Run.

Read at the Thirty-eight Annual Reunion of the First R. I. Regiment and First Battery Association at Lakewood, R. I, Thursday, July 21, 1910, by Albert E. Sholes, of Flushing, N. Y.

“And what so tedious as a twice-told tale,” says Pope, and yet your secretary, my comrades, wrote me a few weeks since, asking that I present on this forty-ninth anniversary of the day we celebrate, a paper of reminiscences.

To so give color and change to the story of that which is in the main familiar to you all, as to interest, is not an easy task. As on strives to look back through the mist of the years, he finds that details of incidents, faces and even names of those once closely allied with, and dear to him have been obliterated, wipes out as the child erases the picture from his slate, so that only the dimmest trace of it remains.

Yet the real story of the past can only be gathered and collated from individual remembrace, and i can respond to Comrade Slocomb’s request, tell of the time,

When we beheld a Nation betrayed,
When Lincoln called and we obeyed.

in no better way than by giving you personal memories.

[Skip to p. 5]

On July 16th. orders came for the regiment to move across the Potomac, but Commisary Cole was instructed to keep all the attaches of his department in camp. This did not meet my approval, and I arranged with one of the boys in my mess to bring my haversack with the rest for rations and leave it in my bunk. I served all the rations, saw the Regiment formed and march in, and watching my opportunity, slipped off to quarters, put on my equipments, caught my gun and ran as if for life.

Half a mile down New York avenue, I dropped into line, Captain Van Slyck[1] failing to note my presence till we had crossed the Long Bridge, when he commented with a smile, that I “would probably wish later that I had obeyed orders and staid in camp.”

Memory skips today many of the details of that march, though I recall that it was a hot and dusty experience. The night of the 17th if I remember rightly, we camped in the yard of Fairfax Court House, and I have a letter somewhere which I found in the scattered mail at the Post office, which written to a member of a South Carolina Regiment, from his home, informed him that a three gallon jug of old corn whiskey had been shipped, and requested in return that the soldier bring him “one of old Abe’s front teeth.”

I recall also a visit to the home of Major Ball, who, married into the Washington family, was in command of a Confederate battery, and how some of the troops – I think not of our regiment – had sought to get even with him by practicing on his piano with their boot heels.

Then came our advance on the 18th, when we heard the first shot of the enemy across Blackburn’s Ford, and our movement to Centerville, the morning of the 19th. That day and the next in camp there, and then, on the evening of the twentieth, came orders to prepare to move in the early morning.

Little of sleep was, I think, obtained by any of us that night. The excitement of realization that tomorrow would witness a battle between two great armies, both composed of American citizens, and that we were to participate, did not tend to slumber. Then, for myself, I was one of the details to go half a mile or more to a spring for water. On our return, rations which would shortly arrive must be waited for, and after arrival, which was near midnight, the meat must be cooked.

Finally tired and sleepy, I laid down only to be awakened before I had gotten even the traditional “forty winks,” with the cry of “Fall in.”

Out into the road, down to and over the bridge which was to achieve fame ere the close of the day, up a slight elevation, and forward over an unknown road, moving in quietness, every man simply following his file leader, dawn found us in the midst of a forest, such as few of any of us had ever before seen. Giant trees were on every hand, while all about us other giants had grown to maturity, lived their day, decayed and fallen to earth. We could almost imagine the genii of the forest peering out upon us and saying, “Who be these who this disturb us? Surely their like ne’er passed this way before.”

Clambering over the fallen trunks of trees, pushing through heavy growths of underbrush, we presently emerged into the open ground, crossed a little brook, and climbed a small hill toward what we later learned to be Sudley Church.

As the let of the regiment cleared the top of the hill, the order was given “By battalion left into line,” and we advanced in line of battle.

An hundred or more yards we moved when there came a shot which I am confident was the widest shot fired during the entire war. It struck the ground a short distance in our front, and ricochetting, passed directly over my head. I am prepared to swear to this even now, and I have no question that every man here today will testify that it passed directly over his head, never mind whether he was on the right or left of the line. The command came “Forward. Double quick!” and then, “Left oblique,” and in less time than I can tell it, pushing over the left of the 71st N. Y. as it lay on the hillside, we were on the brow of the hill with the Seventy-first New York on the right, the Second Rhode Island on our left, and the gray clad enemy in front.

Who can tell of the incidents of a battle, particularly one like Bull Run, where every man and officer was a novice in the art of war? The rattle of musketry, the roar of cannon, the cries of the wounded, the shouts of officers, the loading and firing at will, all come back as a blurred memory. I recall seeing the loved Prescott[2] dead, the falling with wounds of Irving and Haskins of my Company, the riding of Governor Sprague to the front of our line, the killing of his horse, and his appearance as he rose with his hat off, hair flying and sword waving and called on the First to follow him. Then as he was led rearward, some Regiment advanced to fill our places, and we were marched to right and rear to the shade of the woods, to have our supply of ammunition replenished.

Here, to us came the news of the wounding of Colonel Slocum, Major Ballou and Captain Tower, and that they had been borne to the little house at the rear of our line of battle.

Securing permission from Captain Van Slyck, I at once went to the cabin especially to know if i could render service to the man whom I had always loved and honored, Colonel Slocum.

As I recall, no physician or attendant was with them when I entered. Colonel Slocum, Major Ballou, and I think a third man lay on the floor at the side of the room, while I passed Captain Tower lying in the yard near the door of the cabin with the pallor of death on his face. I gave utterance to some expression of sorrow when the Colonel said, “I am glad you came, Albert; can’t you get us some water?” I removed the canteens, cutting the rapes and went to the old sweep well nearly up on the line of battle. As I drew up the bucket, a man waiting by the well at my side, fell dead, as he was struck by a fragment of shell. The canteens were filled, and returning, I gently raised the head, first of Captain Tower in the yard, then of Major Ballou, and finally of the Colonel, gave them a drink and moistened their faces with my handkerchief. when I had helped Colonel Slocum, I eased his position as best I could, and then sat or half lay beside him with his head upon one arm, while I wiped the blood away as it slowly oozed to his lips, till he suggested I return to my company. He bade me goodbye, and as the tears ran down my face, he said, “Never mind, Albert, it’s all right.” Captain Tower’s mind was wandering, and he was near death as I left, but the voices of both Colonel Slocum and Major Ballou were comparatively clear and their eyes not unsteady, so that I hoped to see them again. A few days later we learned that both had died in Sudley Church, to which place they had been removed by the rebels.

Returning to the Company I learned that the ammunition brought would not fit our rifles, and the wagons had been sent back. The troops passed us, moving hurriedly to the rear, and a report came that the enemy was reinforced and our men retreating. As Colonel Burnside rode up, several ran to him and asked if it were true. The cry arose for him to lead us back to the fight, with the responding cry. “What can we do without ammunition?” Shortly, we fell into line and covered the retreat, two hundred regular cavalry who were supposed to protect our rear, crowding their way through our ranks, ere we had gone a mile.

Needless to tell of the march back through the woods, of the opening of artillery on us as we came into the open above the bridge, of the blockade of the bridge by which we lost our guns, of the curses of McDowell, which rose loud and deep on every hand. Shortly after nightfall we were back in camp at Centerville, tired, weary, heartsick, with every Company counting their lost from those who had marched away in the morning.

A few hours of rest, and then, at midnight the sound of volleys, with stray shots dropping in camp, followed by the cry of “Fall in,” and we were off in irregular, disorganized mass for Washington.

What a night? Who, that was there can forget it? Men fell asleep leaning on a comrade, as they walked, and then, one after another dropped by the roadside indifferent to everything but sleep. I confess to being on of these, and at early dawn I was awakened to discover a six mule team stalled almost beside me, the animals twisted up as only army mules can twist themselves, and the driver using frantic exertions with whip and voice to straighten them out. Rising, I aided him to ultimate success, with the result that I was invited to crawl in on top of the barrels of beef, which I at once did. Placing my blanket roll on a barrel which lay on top of the upright ones, I dropped again into dreamless slumber. The jolting of the springless wagon tossed my head from the blanket to the barrel chimes and back again, until when I finally awoke as we entered Alexandria, I had that vulnerable left eye more badly swollen and discolored than ever before.

A boy of the Seventy-first had somewhere gotten into the wagon and when we dropped off we sought a place for breakfast, though it was well toward noon. As it chanced, we entered the Marshall House, where Ellsworth was shot a few weeks before. It was apparently uninhabited, and as we turned to go out a soldier came from the basement. “There is nobody about,” he said, “but I have found a barrel of mighty good wine down cellar.” Returning, he showed us the barrel and a sample of the contents testifying to his truthfulness, we filled our canteens and then proceeded to consider how to get to Washington. Stragglers from all regiments filled the streets, the Seventy-first being especially represented, and presently it was reported that a boat was to be sent from the Navy Yard for them.

My “Seventy-first” friend, Will Berrian[3], told me to stick by him and he would see me through, and I obeyed.

The boat came, and Lieut. Colonel Kimball standing at the gangway declared that he’d run through any not of the Seventy-first, who tried to embark; nevertheless, by the aid of a dozen of the Seventy-first I got on, but not by the gangway.

We landed at the Navy Yard about seven o’clock Monday evening, and I expended my last two dollars for a coach to Camp Sprague, where I arrived at about nine p. m., to receive a hearty welcome from the boys, who thought me captured.

On other incident, a pleasing memory, and my story ends. I slept until nearly noon the next day, then in the early afternoon started down town to assure my few Washington friends of my safety. Having made one call, I was about to cross New York avenue, at Four and One Half street, when I heard a familiar voice crying, “Here, my boy!” and looking up, Colonel Burnside had stopped his carriage in front of me. I saluted as he signalled me to approach, and as he asked where I was going, I answered, “Down on Pennsylvania avenue to visit friends,” when he said, “I wish you wouldn’t. Return to camp today, and I will give you a pass for all day tomorrow.” “Thank you, Colonel,” I replied, as I turned campwards; “I have a standing pass.” “Oh! yes,” said he. “You are with Captain Cole, aren’t you? Please then go back and oblige me. Some of the men on the avenue are not acting well today, and you know what Dog Tray[4] got for being in bad company.”

As I touched my cap in salute, and again turned, he threw open the door of his carriage and said, “Here, ride up with me,” and in a moment I was beside Colonel Burnside.

Long before we reached camp he had all my pedigree, knew several of my kindred and had permanently established himself a very warm place in my heart.

There could be no prouder boy or man in the camp than I, as we drove through it, and to his headquarters where I alighted, and he again thanked me, implying by his manner that in obeying his request I had conferred on him a special favor.

Two days later, on Thursday evening, July 25th, we bade farewell to Camp Sprague, and embarked near midnight for Providence, where after much delay we arrived on Sunday morning, July 28th.

We were boys, you and I in that long gone July
When our country called us to dare or to die!
But as the call came, in an hour then
The bous had assumed the full stature of men.

We’re proud to be counted as boys of “61,”
To have fought with Burnside at Bull Run.
We’re proud of the record the old Fist bore;
Each man did his duty; none could do more.

So here’s to the brave, the gallant Burnside,
We cherish his name in love and in pride;
And here’s to Sprague our War Governor, who,
In time of peril, was staunch and true!
Here’s to our comarades! God bless each one.
May He say, as He welcomes them, “Boys, well done!”

Transcript image

Contributed by Rob Grandchamp

[1] Capt. N. Van Slyk, Co. B

[2] Lt. Henry A. Prescott, Co. D

[3] Pvt. William L. Berrian, Co. H, 71st NYSM

[4] Old Dog Tray was a minstrel song written by Stepehen Foster in 1853, however the meaning of its use by Burnside is not clear.

Albert E. Sholes at Ancestry

Albert E. Sholes at Fold3

Albert E. Sholes at FindAGrave





Passing Manassas, 1892 – Lillian Rozell-Messenger

30 11 2020

PASSING MANASSAS, 1892.
by
Lillian Rozell-Messenger

Here’s where it thundered
From field to field, and through valley to valley,
There, where the line was bluest,
Crash, fell the volley truest!
Then broke the legions, then the grand rally,
And day wept and wondered.

Here’s where the battle flame,
The cannon and tumult, uproared to heaven;
As grey legions rise and fall;
There’s wailing and triumph, the land in twain riven
By shocks of Manassas’ fame!

There’s where the sundered
And grand, stricken armies once wavered and fell;
There’s where the oriflame
Of a new nations birth came,
‘Bove tumult and fires as if risen from hell;
And the world gazed and wondered.

Here now a pilgrim passed,
Pale from the terror and roar of life’s battle!
She’s wept o’er the flying,
The dead, lost, and dying;
And voices stilled ever by death’s chilly rattle,
While Hope was the last.

Life-angel to leave her!
Long since faith, and love, as heroes inglorious,
Fell in a wrong’s night-terror,
Like Justice struck by Error;
But when the column breaks, comes one victorious!
Death, the true victor, cannot deceive her.

Confederate Veteran, Vol. 1, p. 147

Contributed by Carol Reardon

Lillian Rozell-Messenger at FindAGrave

Lillian Rozell-Messenger at Wikipedia





“Charge of the ‘Georgia Eighth'”

20 06 2017

On a recent visit to Gettysburg, friend Craig Swain gifted me a nifty little book, Memoirs of the War Between the States, by Ethel Maddox Byrd and Zelda Haas Cassey. The book was published in 1961. It contains the poem below, written by “an Unknown Lady in Maryland,” which I thought you all might find interesting.

CHARGE OF THE “GEORGIA EIGHTH” AT THE BATTLE OF MANASSAS

The morning shines gaily
On proud Manassas’ height.
Six Hundred gallant Georgians
Are ready for the fight.

Each heart beats high and holy,
As with measured step they go,
For they stand between their firesides
And the invading foe.

The battle rages fiercely;
Has raged since break of day; And Sherman’s fatal battery,
With corpses, strews the way.

Cries Beauregard, with thrilling voice,
As the trumpets call,
“Forward, Brave comrades, to the charge,
That battery must fall!”

Six Hundred gallant Georgians –
With quickened step they go;
And fearlessly they follow
Their leader, brave Bartow.

Oh! Georgia’s stainless chivalry,
God speed you in the fight!
Your cause is just, your arms are strong,
Sweep onward in your might.

The setting sun sinks slowly
On the gory battlefield;
And to Southern rights and valor
The Northern hirelings yield.

The setting sun looks sadly,
Where the dead and dying lay,
On the ghastly field of battle,
The Six Hundred! Where are they?

Five deep round Sherman’s battery
They lie at set of sun!
But the battery is taken
And the red field is won!

Sixty of the Six Hundred
Stand round their leader now,
But death’s eternal shadow, clouds
His vainly-laureled brow.

Oh! Georgia’s glorious chivalry!
The loved ones and the brave!
Who poured their blood like water out,
And died that they might save!

And Beauregard, the Conqueror,
Rides up and bares his head –
“Uncovered, I salute
The Georgia Eighth,” he said.

When history shall reckon
Of this day’s deeds and fame,
Oh! whose shall be the glory!
And whose shall be the shame!

Memoirs of the War Between the States, pp. 28-29

 

 





Lint In My Pocket – Artillery On the Ridge

27 07 2010

Lint In My Pocket – Artillery On the Ridge is a blog maintained by Scott Summers, a poet and teacher in New Jersey.  Here’s how he recently described what he’s doing:

Originally, The Lint in My Pocket was meant to represent the small things that peter from my mind; however, I now see something different. I see the lint that lined the pockets of American Civil War soldiers, generals, colonels, civilians, etc. Like me, each of them carried lint in his/her pocket as well. Each of them was normal folk, as I am. Yet, these normal folk were thrust into incredible situations, situations laced with triumph, tragedy, love, hate, blood, breath, and death; they were forced to experience, in one way or another, the artillery on the ridge.

So, I press on. Hope you enjoy.

Last week, Scott posted this poem for the anniversary of the First Battle of Bull Run:

Stonewall Jackson at Manassas: July 21, 1861

That beard hangs
from his chin
like an anvil.

Ain’t no lie.
Yankee bullets
veer `round his head

so not to smack
against his face.
We should just point

him toward Washington
and shackle up behind
like a chain of geese.

I swear we’d rename
this country Virginia
before it’s cold enough

to tighten your skin
and freeze your breath.

Enjoying!





The Figure a Poem Makes

20 11 2008

In this post, I tried to explain – ineloquently – my “vision” for this site (I’ll use the word “site” to include both the blog part and the digital history (DH) part, though some might argue that the blog is DH too, and I guess it is, but by “DH part” I mean the Bull Run Resources).  This time, instead of using philosophy as a way to differentiate between DH and what I’ll call TNH (Traditional Narrative History), let me try poetry.  Prose, poetry, neither better than the other, like oysters and clams (as Crassus explained to Antoninus in that scene deleted from Spartacus).  But just as I’m not a philosopher, neither am I a poet.  So I’ll let a poet do the talking.

Robert Frost wrote the following in 1939 as an introduction to a collection of his poems (see here):

robert-frostAbstraction is an old story with the philosophers, but it has been like a new toy in the hands of the artists of our day. Why can’t we have any one quality of poetry we choose by itself? We can have in thought. Then it will go hard if we can’t in practice. Our lives for it.

Granted no one but a humanist much cares how sound a poem is if it is only a sound. The sound is the gold in the ore. Then we will have the sound out alone and dispense with the inessential. We do till we make the discovery that the object in writing poetry is to make all poems sound as different as possible from each other, and the resources for that of vowels, consonants, punctuation, syntax, words, sentences, metre are not enough. We need the help of context – meaning – subject matter. That is the greatest help towards variety. All that can be done with words is soon told. So also with metres – particularly in our language where there are virtually but two, strict iambic and loose iambic. The ancients with many were still poor if they depended on metres for all tune. It is painful to watch our sprung-rhythmists straining at the point of omitting one short from a foot for relief from monotony. The possibilities for tune from the dramatic tones of meaning struck across the rigidity of a limited metre are endless. And we are back in poetry as merely one more art of having something to say, sound or unsound. Probably better if sound, because deeper and from wider experience.

Then there is this wildness whereof it is spoken. Granted again that it has an equal claim with sound to being a poem’s better half. If it is a wild tune, it is a Poem. Our problem then is, as modern abstractionists, to have the wildness pure; to be wild with nothing to be wild about. We bring up as aberrationists, giving way to undirected associations and kicking ourselves from one chance suggestion to another in all directions as of a hot afternoon in the life of a grasshopper. Theme alone can steady us down. Just as the first mystery was how a poem could have a tune in such a straightness as metre, so the second mystery is how a poem can have wildness and at the same time a subject that shall be fulfilled.

It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life – not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion. It has denouement. It has an outcome that though unforeseen was predestined from the first image of the original mood – and indeed from the very mood. It is but a trick poem and no poem at all if the best of it was thought of first and saved for the last. It finds its own name as it goes and discovers the best waiting for it in some final phrase at once wise and sad – the happy-sad blend of the drinking song.

No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. For me the initial delight is in the surprise of remembering something I didn’t know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight. We enjoy the straight crookedness of a good walking stick. Modern instruments of precision are being used to make things crooked as if by eye and hand in the old days.

I tell how there may be a better wildness of logic than of inconsequence. But the logic is backward, in retrospect, after the act. It must be more felt than seen ahead like prophecy. It must be a revelation, or a series of revelations, as much for the poet as for the reader. For it to be that there must have been the greatest freedom of the material to move about in it and to establish relations in it regardless of time and space, previous relation, and everything but affinity. We prate of freedom. We call our schools free because we are not free to stay away from them till we are sixteen years of age. I have given up my democratic prejudices and now willingly set the lower classes free to be completely taken care of by the upper classes. Political freedom is nothing to me. I bestow it right and left. All I would keep for myself is the freedom of my material – the condition of body and mind now and then to summons aptly from the vast chaos of all I have lived through.

Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields. No acquirement is on assignment, or even self-assignment. Knowledge of the second kind is much more available in the wild free ways of wit and art. A schoolboy may be defined as one who can tell you what he knows in the order in which he learned it. The artist must value himself as he snatches a thing from some previous order in time and space into a new order with not so much as a ligature clinging to it of the old place where it was organic. More than once I should have lost my soul to radicalism if it had been the originality it was mistaken for by its young converts. Originality and initiative are what I ask for my country. For myself the originality need be no more than the freshness of a poem run in the way I have described: from delight to wisdom. The figure is the same as for love. Like a piece of ice on a hot stove the poem must ride on its own melting. A poem may be worked over once it is in being, but may not be worried into being. Its most precious quality will remain its having run itself and carried away the poet with it. Read it a hundred times: it will forever keep its freshness as a metal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.

Yeah – for me history, like life, is more like poetry than prose.  More like art than science.  I guess that’s why I bridle at anything more than very general boundaries for it.  And why I’m so excited about the possibilities for the presentation of history on the web.

Everybody’s talkin’ ’bout a new way of walkin’.  Do ya wanna lose your mind? Walk right in, sit right down.  Daddy let your mind roll on.

What do you think?

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Thomas Hardy on Battlefield Preservation

1 03 2008

 

roman-road.jpg

In the last Save Historic Antietam Foundation newsletter (which I edit) I was interviewed for a board member profile (you can read it here).  I fear I was a little ineloquent in my expression of concern about the state of Civil War Battlefield preservation.  Specifically, I’ve been bothered by the sometimes heavy handed approach some organizations take with landowners.  We, as people who understand what makes these grounds special to us, often fail to understand, and fail to even try to understand, what they mean to others.  Sometimes, they mean financial security for them and their children, and maybe their children’s children.  Perhaps Thomas Hardy’s thoughts in The Roman Road apply here:

The Roman Road runs straight and bare
As the pale parting-line in hair
Across the heath. And thoughtful men
Contrast its days of Now and Then,
And delve, and measure, and compare;

Visioning on the vacant air
Helmeted legionnaires, who proudly rear
The Eagle, as they pace again
The Roman Road.

But no tall brass-helmeted legionnaire
Haunts it for me. Uprises there
A mother’s form upon my ken,
Guiding my infant steps, as when
We walked that ancient thoroughfare,
The Roman Road.

When dealing with sacred ground, first we need to find common ground.

Photo of a Roman Road in Lancashire is from this site.





Christmas Bells

21 12 2007

clongfellow1.jpg clongfellow2.jpg clongfellow3.jpg clongfellow4.jpg

Henry Wadsworth Longfellow wrote this poem in 1864 while helping his son Charles recover from a serious wound received in Virginia.  Born in 1844, “Charley” (above as a child, a soldier, a samurai!, and a sailor) was a risk taker from the get-go, and lost his thumb in an accident with a gun at age 11.  As a Lieutenant in the 1st Massachusetts Cavalry, he was wounded at New Hope Church during the Mine Run Campaign on November 27, 1863 – shot through the shoulders, with the bullet “nicking” his spine.  Earlier, he had survived a bout with malaria.  After the war Charley lived a full life as a globe-trotting bachelor, but he died young in Boston in 1893.  Read more about him at the NPS Longfellow National Historic Site webpage, and at this SUV site.

Christmas Bells

Henry Wadsworth Longfellow

I heard the bells on Christmas Day

Their old familiar carols play

    And wild and sweet

    The words repeat

Of peace on earth, good-will to men!

And thought how, as the day had come,

The belfries of all Christendom

    Had rolled along

    The unbroken song

Of peace on earth, good-will to men!

Till ringing, singing on its way

The world revolved from night to day,

    A voice, a chime,

    A chant sublime

Of peace on earth, good-will to men!

Then from each black, accursed mouth

The cannon thundered in the South,

    And with the sound

    The carols drowned

Of peace on earth, good-will to men!

It was as if an earthquake rent

The hearth-stones of a continent,

    And made forlorn

    The households born

Of Peace on earth, good-will to men!

And in despair I bowed my head;

“There is no peace on earth,” I said,

    “For hate is strong,

    And mocks the song

Of peace on earth, good-will to men!”

Then pealed the bells more loud and deep;

God is not dead; nor doth he sleep!

    The Wrong shall fail,

    The Right prevail,

With peace on earth, good-will to men!

The poem has also been adapted and recorded by various artists as a carol, my particular favorite being Frank Sinatra.  But here’s one from The Carpenters (removed) so here’s a different one from a group called Casting Crowns:

 And here is a link to some readings of the poem.

Take these as my poor gift to you.  Merry Christmas to us all; God bless us, every one!

UPDATE: I FOUND FRANK!!!





Beet Poet – Pt. II

15 02 2007

It seems there is more to the Bee poem.  You can find the details, and more wonderful drawings, here.  The site says that the poem was written in 1856, when Bee was a captain of the 10th Infantry – that is to say, not by a young Bee in Mexico.  Here is the full text (I particularly like the slam to the dragoons):

Our Army is a Motley Crew

In dress and armour, duties too,

And each and all I love to see –

But most I love the Infantry.

In tented field, in Ladies bower

Alike they shine – all feel their power.

Though other corps are dear to me

Yet most I prize the Infantry.

The engineer, with science crowned,

For action, traces out the ground.

Artillery at distance play,

Dragoons sometimes do clear the way.

The sharp advance, the pistol shot,

The quick retreat, at rapid trot!

The foe advances, light and free.

Who meets him then?  The Infantry!

And so that glorious host move on,

Their bayonets glistening in the sun.

Onward they hold their steadfast way

Tho’ deathshots round them madly play

Their comrades slain (?), their banners torn

These noble hearts, still proudly form.

And hark!  A shout – ’tis Victory!

Who would not love the Infantry?





Beet Poet

14 02 2007

My apologies for failing to wish Barnard Bee a happy 183rd birthday last Thursday, February 8.  It’s really inexcusable since I had already written two bits (here and here) about him and his monument.  Mea culpa, General, and I hope you had a grand time on your big day there in your niche.

While searching around for info last week I ran across a drawing and poem that, according to this site, is attributed to young Bee in Mexico.

 

 

bee-poem.jpg

 

Here’s the text of the poem, in case you have trouble reading it:

 

 

Our Army is a Motley Crew

In dress and armour, duties too,

And each and all I love to see –

But most I love the Infantry.

In tented field, in Ladies bower

Alike they shine – all feel their power.

Though other corps are dear to me

Yet most I prize the Infantry.