Ulysses S. Grant Memorial

7 02 2012

The setting at the foot of Capitol Hill is magnificent. Up close, the triptych in memory of U. S. Grant (the mounted sculpture of him alone is the second largest equestrian statue in the world) is massive, but set in Union Square between the Capitol and the reflecting pool it shrinks and is strangely isolated – not the impression intended by the Senate Park Commission’s 1902 plan. Sculpted by Henry Merwin Shrady and dedicated in 1922 (the same year as the Lincoln Memorial on the opposite end of the Mall), the bronze work consists of Grant and two tableaux depicting artillery and cavalry, 13 horses in all. It is recognized as the world’s preeminent equestrian sculpture.

You can spend days photographing it.

The content is stark. Not so much symbolism, as in the Meade Memorial, so not much interpretation is needed. War is men and equipment and movement. Movement, terror, and tension abound in the faces and bodies of the animals, troopers and artillerists as they move quickly, desperately, to some unnamed point. And amidst – in fact, above - all the action sits the steady, determined figure of Grant. While the movement is toward the general, his gaze is inexorably fixed on a far off, larger objective. There’s a whole lot to see, but to see all one need do is look. You don’t need a weather vane to know which way the wind blows.

For more on the story of the memorial, I once again refer you to Testament to Union: Civil War Monuments in Washington, DC, by K. A. Jacob. Below are some shots I took, unfortunately in low resolution, back in June 2011. Here are a few of the longer shots – click on the thumbs for larger images:

     

Next, the central figure:

            

Now let’s take a look at the “left” group (when facing the front of the monument), the Cavalry. I can only suspect that cavalry made a more interesting artistic subject than infantry, given the minimal contribution of the former arm to the outcome of the war – there, the bait is set:

     

And last, the King of Battle:

        

A must see for anyone visiting the capital. Well worth minor pedestrian/car traffic inconvenience.





Was AL More Like GBM Than HUG?

27 01 2011

The recent flood of posts on various blogs resulting from the Lowry controversy has been fascinating.  Now there’s one out there that’s tangential but tantalizing – tangentializing?  Check out Dmitri’s riff on Crossroads’ retort to Opinionator’s opinion.  It’s a shame that Dmitri doesn’t allow comments (that’s his right, of course), but if you want to express your thoughts – recognizing they be thoughts on the post and not knee-jerk reactions to the poster and whatever you suspect his motivations to be – feel free to comment away!  I know this is supposed to be my blog, and you may think it inappropriate for me to entertain a discussion of another blogger’s post, but hell, it IS my blog and I can do whatever I want, so there.





Oh, That Ulysses!

12 01 2011

Monday evening saw the airing of U. S. Grant: Warrior on American Experience.  I was sent a copy for review, but since this is an abridgement of an earlier two-part program I couldn’t make time for it.  Regardless, I was watching a football game.  If I get a chance to view it in the coming weeks, I’ll post thoughts here.

Check out this series of videos that will give you new insight into U. S. Grant.  Hat tip to Crossroads.

There’s a fourth one (actually the third in the series) that’s hilarious, but quite ummm…ribald.  If you’re resourceful, you’ll find it.

On the third side of the coin we have this post on Beyond the Crater by guest Bryce Suderow, sure to elicit a different emotion from Grant fans.





Grant Papers Online

20 05 2010

Thanks to Nick, I now know that Mississippi State University has made the Papers of Ulysses S. Grant available online.  Check it out here.  Given the current focus of my studies I probably won’t find a need to go there often, but I’m sure I’ll want to, and as a result will find myself sucked in.  I think you get a different picture of Grant when you read what he wrote before and during the war as opposed to what he wrote in his memoirs.  But that’s just me – your mileage may vary.

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